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Included as well are several award-winning ten-minute plays, followed by a discussion by the respective playwrights on how they went about creating their play, from start to finish. The final chapter offers tips and suggestions from artistic directors of ten-minute play festivals and from well-known playwrights whose ten-minute plays have received awards and publishing deals.

With plenty of examples and solid advice for general success in theatrical production The book covers everything from getting an idea and playwriting basics to script format and what to keep in mind when writing the first draft and going into revisions. What I found most useful though were the interviews with playwrights, producers, and publishers of ten-minute plays. Perhaps the most thoughtful part of the book is the inclusion of three successful ten-minute plays.

There's nothing worse than being taught the basics for something and being sent off into the world without actually seeing an example of what you should strive for. You know, being given the ingredients and instructions for something but not a picture of the finished product. So I really appreciated seeing what three successful ten-minute plays look like before thinking about making my attempt at writing one. Writing the Minute Play has a great amount of notes and resources that will come in handy for a playwright of any level, so be sure to add this to your cart this Spring as you get ready to birth new projects.

Glenn Alterman's latest work. The most comprehensive book ever written on cold readings Advice from one of America's premiere monologue and audition coaches and author of 15 best-selling acting and original monologue books. This book is the most informative, in depth book on the subject of cold readings ever published; and includes over 30 interviews with the industry's top casting directors in TV, film, theater and TV commercials", as well as dozens of informative quotes from casting directors and actors. Alterman, a premier monologue and audition coach, helps new and experienced actors get the most from material they are expected to present on the spot, or perhaps two spots if they are lucky.

He starts with the basic requirements for a good cold reading, technical rules and common mistakes, then gets specific about plays, monologues, screenplays and teleplays, television commercials and daytime TV shows. In each case he provides tips, examples and exercises so actors can apply his advice directly. Alterman's advice comes from long and successful experience, the readings are excellent, and the many insights from casting directors are sincere and helpful. Alterman also provides a well-chosen list of recommended reading. Alterman, playwright and author of many popular monolog books, addresses the special challenges of cold readings in this comprehensive how-to guide.

Recommended for all theater collections and for performing arts collections in public and academic libraries. He presents step-by- step instruction on how to break down scenes and monologues quickly, with specific advise related to the way cold readings are used in theater, TV, film, commercials and voiceovers.

This analytical approach really gets to the heart of the matter, as do Alterman's interviews and tips from casting directors. Sixty Seconds To Shine! This volume offers pithy, gritty, and often humorous pieces for a wide range of character types. Nothing kills an otherwise successful audition like running over the allotted time. Monologues that work well often become overused, by the world at large as well as by individual actors, so including fresh selections from a wide range of sources is a plus.

There are monologues here for men and women, ranging in tone from dramatic to comedic to serio-comedic. Well organized and clearly written. Smith and Kraus. This 3rd volume contains over 60 new, original monologues for actors auditions and for class work. I highly recommend them to actors willing to try something new and exciting to showcase their talents. This new edition includes the most up to the minute information for actors, with several new chapters.

Those looking for the best ways to create, maintain, and strengthen their industry relationships should look no further. An important book. I highly recommend it! The book is chock filled with practical, systematic ways to advance a career in show business. Alterman maps each step on the road to success, including common pitfalls and little-known shortcuts not found in other guides.

The Perfect Monologue: How to Find and Perform the Monologue That Will Get You the Part (Limelight)

This book is an invaluable mini resource library you can turn to again and again. This volume explains how to move towards the worlds of theatre, film and commercials. It shows how to get headshots, interviews and auditions; how to understand concerns from the viewpoint of agent, director and others; how to create a resume; and how to select monologues and prepare for auditions. And then to be chosen to be in it!


  1. Baby Names and Meanings : What Should I Name my Baby ??
  2. Performing a Monologue for Drama Class.
  3. 5 Tips for Preparing a Monologue with Confidence.
  4. Tips on Finding the Perfect Monologue;
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  6. Return of the High Protector: Part II of The High Duties of Pacia.

I liked the way you laid out the chapter and the structure of the acting teachers responding together to each question. I thought it was interesting how we resonated together about the importance of being ready before putting yourself in front of casting professionals and agents. Thanks for including me. Packed with both innovative strategies and practical advice, it covers how to: obtain the perfect headshot; prepare for interviews and auditions; select flattering monologues; create professional-looking resumes and cover letters; compose promotional mailings and videos; effectively network; produce an original play, video, or film; star in a one-person show; launch a theater company; and much more.

The book includes interviews with more than 55 top directors, producers, casting directors, talent agents, personal managers, and publicists. It also provide essential contact information and savvy tips for networking both on- and off-line. Filled with practical, methodical ways to propel a show-business career forward, this pocket companion is the best friend an actor can have.

Finding just the right material for auditions can be crucial to an actor's career.


  • A lombre dhier - Tome 1 (French Edition).
  • Top Monologue Mistakes and Solutions?
  • Tips to Perform Your Best Monologue – Mastan Music;
  • The audition monologue is an important marketing tool that introduces and showcases an actor's talent. Actors are constantly looking for new material for Equity principal theater auditions, agent office auditions, casting director auditions, and now even film auditions. In The Perfect Audition Monologue , Glenn Alterman reveals how to: find exciting and seldom done source material for monologue auditions effectively rehearse the monologue break down and personalize audition material edit dialogue from plays into effective audition-winning monologues be confident at auditions from entrance to exit be successful at talent agent and casting director interviews market yourself as an actor The book also includes insightful interviews with many of the top casting directors and agents in the industry, and dozens of "my first monologue audition" stories from such renowned actors as Glenn Close, Frances Sternhagen, Kate Burton, Julie Harris, Amy Wright, Dana Ivey, S.

    The prestigious New York club invited Glenn Alterman and the renowned playwrights who contributed monologue material for the book to read their work before an invited audience. In this concisely written guide, Alterman provides expert tips for choosing, editing, rehearsing, and performing a compelling. Although he does not ignore artistic considerations, he treats the monologue mainly as a business tool for the working actor. Easy-to-read informational chapters on sources for monologues, on bringing the character and the text to life, and on the audition process itself make this volume extremely worthwhile despite the truckload of similar books on the subject.

    Helpful interviews with New York casting directors and talent agents are included, along with candid reminiscences by actors such as Julie Harris, Glenn Close, and John Lithgow about their first monologue choices and experiences. The book's 29 original monologues for men and women will be good practice material for either the student actor or the seasoned professional. Appendix A is particularly useful: using specific before-and-after examples, it demonstrates how to condense longer monologues or scenes from plays into shorter audition pieces.

    Summing Up: Recommended. Each monologue is an extremely well-written character study. I highly recommend this book to all actors! The pieces were all developed after workshops with several theatre companies, and they cover a great range of topics and emotions with real skill. Every actor who plans to move to New York should read this book. This book is full of insights for actors as they journey through it. A great resource tool that takes some mystery out of the process.

    It is the most comprehensive, best organized guide that I have seen. It is down to earth and very up to date.


    • Exotic Animals: A List of the Most Interesting Exotic Animals.
    • Dossier confidentiel (Les Cahiers Rouges t. 76) (French Edition).
    • Your NYC Monologue: Some Tips and Hints to help you with your Monologue..
    • The Scheherazades;
    • Account Options.
    • Glenn Alterman Studio - Books;
    • Adventures in the Rifle Brigade, in the Peninsula, France, and the Netherlands from 1809 to 1815.
    • I highly recommend it. I carry it with me most everywhere I go I have never felt so comforted by a book's suggestions and warnings as I have with yours. And the fact that you not only steer people in the general direction of agents, casting directors, off-off Broadway theaters, unions, part-time jobs , but also provide specific addresses and phone numbers is so generously thorough and helpful.

      I cannot thank you enough for the product I was scared about diving into these crazy waters before reading your book. In truth, I still am But I now feel like a fully loaded weapon, ready for the plunge.

      The Perfect Monologue: How to Find and Perform the Monologue That Will Get You the Part

      It's as though I have this dependable roadmap to help me navigate through this tricky and even slippery course So, thank you. I just want to thank you for your input, suggestions, tips, and helpful information to what I need to know how to fit in the business. This should help you sound more serious and convincing. Yes No.

      Performing a Monologue: How to Prepare

      Not Helpful 1 Helpful Practice your part when you're at home. Look at monologue videos, and gain some strategies from those. Imagine there's people where you're practicing so you won't feel shy. Not Helpful 6 Helpful Learn to shake off any mistakes and focus on learning from them. If something does go wrong, just try and cover it up and make it seem natural. Whatever you do, don't break character.

      Not Helpful 2 Helpful Find something in the room or place to stare at besides your audience. Never rush through a performance, and speak naturally and fluently. Not Helpful 5 Helpful Stare until your eyes water into the audience. Remember that you are trying to portray emotion. You may find it helpful to read How to Cry On the Spot. Not Helpful 12 Helpful If I don't know my character, how will I make a monologue about them?

      Do some research and character analysis to find out more. If you can't find out more, choose a different monologue, or create your own. Not Helpful 1 Helpful 7. Which way is the best: auditioning without looking at your script or looking at it? Casting directors like it better when you do not look at the script, but if you forget you can peer down at the script a few times.

      Often you won't get the script, just a general idea of the concept of the show and the character you are auditioning for. You will often be expected to prepare something in the same style as the show for your audition a comedy for a comedic show, something dramatic for a drama etc. Also, consider the character you are auditioning for.

      You don't want to act as an old lady in an audition for a teenage girl. Mostly you will not actually see the script unless you get a callback and they want to see how well you do the real thing. It's easier to stop spoilers getting out that way. When you have started to memorize your monologue, start thinking a lot more about the words and the character and mood you are trying to portray.

      Often actions start coming naturally as you get into character. It is best not to sit down and make the actions up, because that can end up with you looking like a mime as you say your monologue, doing big exaggerated movements. Actions should be subtle and natural. Will I need to introduce my character so that they know what I'm doing? In specific situations, you may need to introduce a character name and state what play the monologue is from so that whoever you're performing in front of has some context.

      If it's a self-written monologue, you may need to introduce the character and give some context regarding what the monologue is about. Not Helpful 2 Helpful 8. Include your email address to get a message when this question is answered. Already answered Not a question Bad question Other. Edit Related wikiHows. Article Summary X To perform a monologue, try to switch between emotions to showcase your versatility, such as angry to sad. Did this summary help you? Did this article help you?

      Cookies make wikiHow better. The main part of an audition is to perform a monologue. Sometimes, it is considered an important assignment in the acting classes. But it is important for an actor to love and enjoy the assignment, which is their monologue. They must select the appropriate monologue to be connected with it. Try to think of audition as mere acting, to lessen some of your pressure during the audition. Trusting yourself and your capabilities are two most essential parts of delivering a monologue.

      So, while performing, you must be confident by standing straight, projecting your voice and focusing on the audience or other judges sitting in front of you. For a better audition, your introduction is the initial part of your performance and make sure you know the secret of becoming a confident actor. So, avoid pretending to know all and everything. To show your passions share your thoughts and ideas and show your energy towards your work.

      Pick up a monologue appropriate to the role.

      Challenge one: Learn to fish

      For example, choose a funny monologue for a comical role whereas choosing a dramatic monologue for a serious role. While choosing the right option you have to be more active and faster. You cannot waste time taking the right choice. This may sound unprofessional in your part. An excellent monologue is always characterized by a clear and concise narrative arch.

      This narrative arc includes one transition within different scenes. For instance, the entire monologue cannot be fully serious or comical in nature. Show some variation while enacting the angry scene and the emotional part of the monologue. Smooth transitioning from one mood to another within the act will make your character more natural.

      This would help your director to know your capability and potentiality.